| T.R | Title | User | Personal
Name | Date | Lines |
|---|
| 2571.1 | | SALSA::MOELLER | Karl has... left the building. | Fri Feb 08 1991 12:16 | 8 |
| I use my EMAX Rockman Lead sample complete with time-delayed feedback
harmonics, what else ? ;-)
Not having a really flexible adjustable delay unit, I can't comment on
your method, but there should be some high-end attenuation plus some
imposed distortion. Perhaps tape delay ? Get out that old open-reel..
karl
|
| 2571.2 | | WEFXEM::COTE | I've got an alibi... | Fri Feb 08 1991 12:29 | 10 |
| If you listen to my cover of "Rumble" on C-VIII, you'll hear a bit of
"feedback" come in on the lead synth if the note is sustained for any
length of time...
I did it by setting the attack rate of one operator to be much slower
than the others, and using a high frequency ratio. On a TX81Z you
can set any operator to have a "fixed" frquency that won't change pitch
as you move along the keyboard...
Edd
|
| 2571.3 | FM for Noise!! | FORTSC::CHABAN | | Fri Feb 08 1991 16:57 | 9 |
| re: .2
Yeah, FM machines are best for Maniac Metalhead guitar lead sounds
(unless you cheat and use a sampler) I have a decent patch or two
for my DS-8 (wimpy machine that it is). The key is to go for the
inharmonic overtones by modulating with the right signal. Chowning's
papers on FM talk about this a little.
-Ed
|