|  |     Some generic (non-MAX specific) things to consider...
    
      1.  As I stated in a previous note, many on board sequencers in
          early synths operated on 'events', not notes. As an example,
          if you need just *1* 16th note in a measure, *all* your other
          notes (1/2, 1/4, 1/8, things with dots) with have to be composed
          of 1 1/16 and an appropriate number of ties to stretch them
          to the proper length. Each tie would represent an event and
          would suck up memory *fast*. Naturally, chords will use 3,
          4 or 5 times as many events.....
    
      1A. Just how many notes/events does the sequencer support? I think
          anything less than ~500 *notes* is useless if you intend to
          use the machine as a 'phantom' bass player or whatever.
        
      2.  Is step time programming even possible? It's not on my Mirage!
          If you're a sloppy keyboardist, step time is an absolute.
          Recently I've found it to be indespensible when scoring.
    
      3.  Is the unit MIDI? Take nothing for granted.
    
      4.  Will it support OMNI-OFF? I went through hell with the JX3-P
          because it didn't. The upgrade was only ~$60 though...
    
      5.  Can the onboard sequencer be externally clocked? If not, it's
          gonna be next to worthless if you ever decide to expand.
    
      6.  Were those full-size keys? Personally, I get tired of those
          mini-keys real quickly.
    
      7.  Lastly, do you like the sound of the synth? Patch editing
          is just so much fun I'm sure you'll want to jump right in
          and start editing up all kinds of new and wondrous sonic
          experiences. Years later....
    
    Edd
 | 
|  | 	The last word on any of Sequential's synths that came out in that time
period is 'reliability'.  Or more specifically, unreliability.  It is said that
the machines that SCI put out then had a horrendous repair record.
That's not to say that the one that *you* buy will have problems, but that it 
was *common* for those synths (the MAx, the MULTI-TRAK, the SIX-TRAK...).
	Just something to consider.  How reliable do you consider the store that
is selling them?  Do they back their products well in the repair dept.?
	$300 is a good price for a MIDI synth, especially a new one.  Personally
I'd be much more likely to recommend a CZ101 that you can edit, which is multi-
timbral, and then keep a hawk's eye out for a used sequencer like an MSQ-100 or
a QX-7 (I found an MSQ-100 for $50!).  Or if you're more interested in the 
analog sound, a Poly 800 (and don't listen to Brad 8^).
	Dan
 | 
|  |     re: .0--``Maybe I should remortgage my house, divorce my wife and just
    buy the ESQ-1. :-)''
    
    Remortgaging the house is a good idea, divorcing the wife may set
    you back quite a bit.  I suggest you come to some understanding
    with the wife.  Years ago I agreed not to put the computer terminal
    in the bedroom.  More recently my synth and my daughter's drum set
    are placed out of sight of the living room.  From such thoughtfulness
    comes domestic tranquility. 
        John Sauter
 | 
|  |     
    I played a MAX about a year ago, and I *love* them.
    
    No wimpy PD synthesis here. Six *analog* oscillators controlled
    by MIDI digital controller. Yum. It has some *amazing* sounding
    patches.
    
    WHERE, OH WHERE, CAN I GET ONE FOR $300????????????????
    
    ...waiting credit-card in hand...
    				- HBM
 |