| T.R | Title | User | Personal
Name | Date | Lines |
|---|
| 665.1 | Fat Fifth | JAWS::COTE | Let's change the rules and giggle!!! | Tue Jan 20 1987 09:00 | 67 |
| This one was copied out of the JX3-P. I've listed the JX parameters
to help get a feel for how they relate to the MKS.
Edd
*************************************************************************
JX3-P MKS-30
P V DCO Section P V
A1 A DCO-1 16',8',4' 21 A
A2 A " Wave Saw, Pulse, Square 22 A
A3 A " Freq-mod (LFO) Off, On 25 A
A4 A " Freq-mod (Env) Off, On 26 A
A5 A DCO-2 16',8',4' 23 A
A6 A " Wave Saw, Pulse, Square, Noise 24 A
A7 A " Cross-Mod Off, Sync, Metal 14 A
A8 13 " Tune (DCO-2 Only) 13 82
A9 8 " Fine Tune (DCO-2 Only) 12 50
A10 A " Freq-mod (LFO) Off, On 27 A
A11 A " Freq-mod (Env) Off, On 28 A
A12 6 LFO Depth (25 and/or 27 must be on) 15 36
A13 1 Env Depth (26 and/or 28 must be on) 16 0
A14 B Envelope (A= v-shaped, B= ^-shaped) 17 B
-------------------------------------------------------------------------
VCF Section
A15 10 Source mix (0 = DCO-1, 99=DCO-2) 18 60
A16 1 HPF (0 = Full Cut, 99 = none) 35 0
B1 2 Cut-off Freg. (0 = low, 99 = high) 11 92
B2 1 Envelope Mod 32 60
B3 8 Pitch Follow (controls VCF cutoff point) 33 50
B4 1 Resonance (emphasizes cut-off point) 31 0
B5 10 LFO Mod 34 0
B6 B Polarity (A= v-shaped, B= ^-shaped) 36 B
-------------------------------------------------------------------------
VCA Section
B7 A VCA Mode (A= Gate, B= Envelope) 38 A
B8 5 Level (Overall volume) 37 To suit
-------------------------------------------------------------------------
Chorus Section
B9 B Chorus (A= Off, B= On) 48 B
-------------------------------------------------------------------------
LFO Section
B10 A LFO Wave (Sine, Square, Random) 45 A
B11 3 Delay Time 46 18
B12 11 Rate 47 66
-------------------------------------------------------------------------
Envelope Section
B13\ Attack 41\
B14 \__Moot Decay 42 \__Moot
B15 / See Sustain 43 / See
B16/ B8 Release 44/ 38
|
| 665.2 | Drawbars | JAWS::COTE | Let's change the rules and giggle!!! | Wed Jan 21 1987 08:11 | 66 |
| This one is more homebrewed. It gives a big drawbar-type sound.
The overall brightness of the patch can be modified by varying
parameter 33, VCF pitch follow. Increase the value for brighter
sound.
Edd
**************************************************************************
JX3-P MKS-30
Parameter
DCO Section P V
A1 DCO-1 16',8',4' 21 A
A2 " Wave Saw, Pulse, Square 22 A
A3 " Freq-mod (LFO) Off, On 25 B
A4 " Freq-mod (Env) Off, On 26 A
A5 DCO-2 16',8',4' 23 C
A6 " Wave Saw, Pulse, Square, Noise 24 A
A7 " Cross-Mod Off, Sync, Metal 14 B
A8 " Tune (DCO-2 Only) 13 50
A9 " Fine Tune (DCO-2 Only) 12 50
A10 " Freq-mod (LFO) Off, On 27 A
A11 " Freq-mod (Env) Off, On 28 A
A12 LFO Depth (25 and/or 27 must be on) 15 0
A13 Env Depth (26 and/or 28 must be on) 16 99
A14 Envelope (A= v-shaped, B= ^-shaped) 17 B
-------------------------------------------------------------------------
VCF Section
A15 Source mix (0 = DCO-1, 99=DCO-2) 18 73
A16 HPF (0 = Full Cut, 99 = none) 35 0
B1 Cut-off Freg. (0 = low, 99 = high) 11 58
B2 Envelope Mod 32 0
B3 Pitch Follow (controls VCF cutoff point) 33 34
B4 Resonance (emphasizes cut-off point) 31 16
B5 LFO Mod 34 0
B6 Polarity (A= v-shaped, B= ^-shaped) 36 B
-------------------------------------------------------------------------
VCA Section
B7 VCA Mode (A= Gate, B= Envelope) 38 B
B8 Level (Overall volume) 37 90
-------------------------------------------------------------------------
Chorus Section
B9 Chorus (A= Off, B= On) 48 B
------------------------------------------------------------------------
LFO Section
B10 LFO Wave (Sine, Square, Random) 45 A
B11 Delay Time 46 0
B12 Rate 47 76
-------------------------------------------------------------------------
Envelope Section
B13 Attack 41 11
B14 Decay 42 20
B15 Sustain 43 99
B16 Release 44 19
|
| 665.3 | "Jump" | JAWS::COTE | Let's change the rules and giggle!!! | Wed Jan 21 1987 08:21 | 66 |
|
Eddie Van Halen still owes me for this one....
Well, OK, even if you don't agree, it's still a nice fat low string
patch.
Edd
**************************************************************************
JX3-P MKS-30
Parameter
DCO Section P V
A1 DCO-1 16',8',4' 21 A
A2 " Wave Saw, Pulse, Square 22 A
A3 " Freq-mod (LFO) Off, On 25 A
A4 " Freq-mod (Env) Off, On 26 A
A5 DCO-2 16',8',4' 23 A
A6 " Wave Saw, Pulse, Square, Noise 24 A
A7 " Cross-Mod Off, Sync, Metal 14 A
A8 " Tune (DCO-2 Only) 13 50
A9 " Fine Tune (DCO-2 Only) 12 66
A10 " Freq-mod (LFO) Off, On 27 A
A11 " Freq-mod (Env) Off, On 28 A
A12 LFO Depth (25 and/or 27 must be on) 15 36
A13 Env Depth (26 and/or 28 must be on) 16 42
A14 Envelope (A= v-shaped, B= ^-shaped) 17 B
-------------------------------------------------------------------------
VCF Section
A15 Source mix (0 = DCO-1, 99=DCO-2) 18 50
A16 HPF (0 = Full Cut, 99 = none) 35 12
B1 Cut-off Freg. (0 = low, 99 = high) 11 56
B2 Envelope Mod 32 12
B3 Pitch Follow (controls VCF cutoff point) 33 66
B4 Resonance (emphasizes cut-off point) 31 0
B5 LFO Mod 34 0
B6 Polarity (A= v-shaped, B= ^-shaped) 36 B
-------------------------------------------------------------------------
VCA Section
B7 VCA Mode (A= Gate, B= Envelope) 38 B
B8 Level (Overall volume) 37 99
-------------------------------------------------------------------------
Chorus Section
B9 Chorus (A= Off, B= On) 48 B
-------------------------------------------------------------------------
LFO Section
B10 LFO Wave (Sine, Square, Random) 45 A
B11 Delay Time 46 12
B12 Rate 47 78
-------------------------------------------------------------------------
Envelope Section
B13 Attack 41 18
B14 Decay 42 24
B15 Sustain 43 82
B16 Release 44 22
|
| 665.4 | 96 Tears | JAWS::COTE | All jammed out... | Wed Feb 04 1987 08:51 | 67 |
| ARGH!! It's the world's cheesiest organ! Farfisa and Vox have sent
squads of hit men out to quash this patch. Get it now before some-
thing unspeakable happens!
The upper registers sound best. VCF Pitch follow may be the answer.
Edd
**************************************************************************
JX3-P MKS-30
Parameter
DCO Section P V
A1 DCO-1 16',8',4' 21 A
A2 " Wave Saw, Pulse, Square 22 A
A3 " Freq-mod (LFO) Off, On 25 B
A4 " Freq-mod (Env) Off, On 26 A
A5 DCO-2 16',8',4' 23 C
A6 " Wave Saw, Pulse, Square, Noise 24 A
A7 " Cross-Mod Off, Sync, Metal 14 B
A8 " Tune (DCO-2 Only) 13 49
A9 " Fine Tune (DCO-2 Only) 12 0
A10 " Freq-mod (LFO) Off, On 27 A
A11 " Freq-mod (Env) Off, On 28 B
A12 LFO Depth (25 and/or 27 must be on) 15 09
A13 Env Depth (26 and/or 28 must be on) 16 0
A14 Envelope (A= v-shaped, B= ^-shaped) 17 A
-------------------------------------------------------------------------
VCF Section
A15 Source mix (0 = DCO-1, 99=DCO-2) 18 63
A16 HPF (0 = Full Cut, 99 = none) 35 0
B1 Cut-off Freg. (0 = low, 99 = high) 11 51
B2 Envelope Mod 32 65
B3 Pitch Follow (controls VCF cutoff point) 33 93
B4 Resonance (emphasizes cut-off point) 31 0
B5 LFO Mod 34 0
B6 Polarity (A= v-shaped, B= ^-shaped) 36 B
-------------------------------------------------------------------------
VCA Section
B7 VCA Mode (A= Gate, B= Envelope) 38 B
B8 Level (Overall volume) 37 62
-------------------------------------------------------------------------
Chorus Section
B9 Chorus (A= Off, B= On) 48 B
-------------------------------------------------------------------------
LFO Section
B10 LFO Wave (Sine, Square, Random) 45 A
B11 Delay Time 46 0
B12 Rate 47 71
-------------------------------------------------------------------------
Envelope Section
B13 Attack 41 0
B14 Decay 42 0
B15 Sustain 43 67
B16 Release 44 0
|
| 665.5 | Moved... | JAWS::COTE | Isn't that spatial? | Wed Oct 07 1987 08:04 | 21 |
| <<< DREGS::FIXED$:[NOTES$LIBRARY]MUSIC.NOTE;1 >>>
-< Music >-
================================================================================
Note 1421.0 Mks-30 patches 2 replies
CIMNET::DEBARROS 14 lines 6-OCT-1987 08:32
--------------------------------------------------------------------------------
I have a Roland MKS-30 and accidently deleted my preset patches.
These patches are not the default presets which are illustrated
in the owners manual. When I bought the unit, it came with a
separate sheet of paper which has and preset patches and the
memory cartridge patches. The paper had the same block diagram
as the manual and it has some Japaneese writing on it...
I am lost without these patches. On the presets, the first bank
has acustic piano, strings, bank 3 patch 3 is called synth harp
II, bank 4 has a log drum, and bass patches, bank 7 has the wind
and wave patches.
Eric
send V/mail to cimnet::debarros
|
| 665.6 | Acoustic Bass... | JAWS::COTE | yawn... | Mon Jul 11 1988 08:30 | 70 |
| Hmmm.... as I was typing this in I noticed that I may have made a
mistake copying the values down at home. The HPF is set to '0' which
doesn't feel right...
Anyhow, the patch is a nice acoustic bass with a definite slap as
you increase velocity.
My thanks to Dave Dreher for the use of his PG-200...
Edd
**************************************************************************
JX3-P MKS-30
Parameter
DCO Section P V
A1 DCO-1 16',8',4' 21 A
A2 " Wave Saw, Pulse, Square 22 A
A3 " Freq-mod (LFO) Off, On 25 B
A4 " Freq-mod (Env) Off, On 26 A
A5 DCO-2 16',8',4' 23 A
A6 " Wave Saw, Pulse, Square, Noise 24 C
A7 " Cross-Mod Off, Sync, Metal 14 B
A8 " Tune (DCO-2 Only) 13 28
A9 " Fine Tune (DCO-2 Only) 12 39
A10 " Freq-mod (LFO) Off, On 27 A
A11 " Freq-mod (Env) Off, On 28 A
A12 LFO Depth (25 and/or 27 must be on) 15 0
A13 Env Depth (26 and/or 28 must be on) 16 0
A14 Envelope (A= v-shaped, B= ^-shaped) 17 B
-------------------------------------------------------------------------
VCF Section
A15 Source mix (0 = DCO-1, 99=DCO-2) 18 60
A16 HPF (0 = Full Cut, 99 = none) 35 0
B1 Cut-off Freg. (0 = low, 99 = high) 11 20
B2 Envelope Mod 32 68
B3 Pitch Follow (controls VCF cutoff point) 33 15
B4 Resonance (emphasizes cut-off point) 31 0
B5 LFO Mod 34 0
B6 Polarity (A= v-shaped, B= ^-shaped) 36 B
-------------------------------------------------------------------------
VCA Section
B7 VCA Mode (A= Gate, B= Envelope) 38 B
B8 Level (Overall volume) 37 99
-------------------------------------------------------------------------
Chorus Section
B9 Chorus (A= Off, B= On) 48 B
-------------------------------------------------------------------------
LFO Section
B10 LFO Wave (Sine, Square, Random) 45 A
B11 Delay Time 46 0
B12 Rate 47 0
-------------------------------------------------------------------------
Envelope Section
B13 Attack 41 0
B14 Decay 42 17
B15 Sustain 43 54
B16 Release 44 20
|
| 665.7 | Dead battery? | WEFXEM::COTE | There wasn't even any Hollywood! | Fri Feb 22 1991 08:17 | 8 |
| What's the symptom for a dead battery in an MC16 cartridge?
I found this morning that about 80% of the patches I had stored
on the cartridge are now noise. T'was OK yesterday....
grrr....
Edd
|
| 665.8 | Oh Mighty Lithium, Hear Our Supplications | DRUMS::FEHSKENS | len, EMA, LKG2-2/W10, DTN 226-7556 | Fri Feb 22 1991 09:34 | 9 |
| Sounds like a candidate. I've yet to have an M16C or M64C go south on
me, so I'm only conjecturing; I'd actually have expected everything to
croak at more or less the same time. Well, I guess 80% is fairly close
to everything...
You *did* save the data somewhere else, dincha?
len.
|
| 665.9 | :7( | WEFXEM::COTE | There wasn't even any Hollywood! | Fri Feb 22 1991 10:01 | 5 |
| > You *did* save the data somewhere else....
The M16 *was* the someplace else...
Edd
|
| 665.10 | This Is A Feature? | IXION::ROST | Rockette Morton's illegitimate son | Fri Feb 22 1991 10:14 | 6 |
| Woof...
What the world needs is a RAM cart with a low battery warning. Howcum
only Ensoniq ever bothered with EEPROM, which needs no battery?
Brian
|
| 665.11 | Nicad of the living dead? | WEFXEM::COTE | There wasn't even any Hollywood! | Fri Feb 22 1991 22:22 | 5 |
| Go figure, tonite all the patches are back!
Tomorrow I document all 64.
Edd
|
| 665.12 | | RICKS::SHERMAN | ECADSR::SHERMAN 225-5487, 223-3326 | Sat Feb 23 1991 23:49 | 5 |
| Batteries sometimes recharge themselves and cycle between providing
juice and not. This is typical of dry cells but not usually of
alkalines or other long-life batteries.
Steve
|
| 665.13 | | WEFXEM::COTE | There wasn't even any Hollywood! | Sun Feb 24 1991 11:10 | 10 |
| Anyone know what the voltage of the lithium cell is supposed to be?
I measure 3.29V.
The cartridge seems brain-dead when cold, but comes to life after 1/2
an hour or so.
Maybe the problem isn't the cartridge...
Edd
|
| 665.14 | | IXION::ROST | Rockette Morton's illegitimate son | Sun Feb 24 1991 18:42 | 4 |
| The memories probably expect 5V, most parts are rated 5V +/- 10%. 3.29
sounds dead to me.
Brian
|
| 665.15 | JX8-P PATCH SAVING | TFH::GRANFORS | | Thu Jan 23 1992 13:02 | 5 |
|
I am just new and bought a jx8_p AND WOULD LIKE TO KNOW HOW TO DUMP
INTO TAPE TO SAVE CARTRIGE SOUNDS SINCE I WILL HAVE TO CHANGE BATTERY
AT ONE DAY AND WILL NEED TO KNOW HOW TO USE THE CARTRIGE SAVE OPTION.
SEND TO TFH::GRANFORS
|
| 665.16 | Probably Not Possible | DRUMS::FEHSKENS | len, EMA, LKG1-2/W10 | Thu Jan 23 1992 16:20 | 9 |
| I'm just guessing, but as a JX-10 (which I am familiar with) is
basically two JX-8Ps in the same box, I would guess they did it the
same way on the JX-10 as on the JX-8P, which is to say, they didn't.
The only way you can save cartridge data on a JX-10 is via a MIDI SysEx
dump. There is no way to save this data to tape.
len.
|
| 665.17 | Huh? | RGB::ROST | Ashley Hutchings wannabe | Fri Jan 24 1992 08:40 | 7 |
| Re: .16
Does this mean you can't copy the cart data to internal memory and then
dump *that* to tape? That's how other tape-based synths I've owned
worked.
Brian
|
| 665.18 | No Tape | DRUMS::FEHSKENS | len, EMA, LKG1-2/W10 | Fri Jan 24 1992 09:06 | 15 |
| The JX-10 has no tape interface. Period. I don't know about the
JX-8P.
BTW, the JX-10 does SysEx patch dumps *only* from the cartridge, so if
you want to save the internal memory to disk, you have to copy it to a
scratch cartridge!
I suspect that in Japanese, ROLAND is the acronym for "never do it the
same way twice". Roland's product development groups don't seem to
talk to one another at all - one synth or sequencer will provide a
great feature that ought to become a standard offering, and the next
product will leave it out.
len.
|
| 665.19 | | MIZZOU::SHERMAN | ECADSR::Sherman DTN 223-3326 | Fri Jan 24 1992 16:16 | 11 |
| >I suspect that in Japanese, ROLAND is the acronym for "never do it the
>same way twice". Roland's product development groups don't seem to
>talk to one another at all - one synth or sequencer will provide a
>great feature that ought to become a standard offering, and the next
>product will leave it out.
Yeah. Like that's probably why my D70 will generate release velocity
but my MC50 won't record it ... <sigh>
Steve
|
| 665.20 | | MANTHN::EDD | Press END or pay! {argh} | Fri Jan 24 1992 16:20 | 7 |
| Oddly enough, the JX3-P *does* support tape dumps, although it's
rack mount brethren the MKS-30 doesn't. But that's OK, cuz the MKS-30
supports an expander cartridge, but no tape or SYSEX, but mine gets
real HOT as soon as I plug the cartridge in anyhow so the whole point
is moot.
Edd
|
| 665.21 | | MIZZOU::SHERMAN | ECADSR::Sherman DTN 223-3326 | Fri Jan 24 1992 16:24 | 3 |
| Ha! Who says the Juno 106 is the only female synth!
Steve
|