T.R | Title | User | Personal Name | Date | Lines |
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45.1 | pitchbent percussion | SALSA::MOELLER | Child Crushed By Logic, film at 11. | Thu Feb 27 1992 14:06 | 9 |
45.2 | Use a Roland TR707 as an analog trigger | DYPSS1::SCHAFER | Name something that floats. | Thu Feb 27 1992 14:55 | 14 |
45.3 | recording guitar feedback, w/o using headphones | DPE::STARR | They call it Paradise, I don't know why | Thu Feb 27 1992 16:13 | 26 |
45.4 | Unlikely applications for pitch-bend | DREGS::BLICKSTEIN | Soaring on the wings of dawn | Fri Feb 28 1992 10:17 | 13 |
45.5 | pressed rolls | SALSA::MOELLER | Open IAS Development | Wed Apr 15 1992 18:12 | 14 |
45.6 | | DREGS::BLICKSTEIN | Soaring on the wings of dawn | Thu Apr 16 1992 10:50 | 63 |
45.7 | A common type of problem | BSS::STPALY::MOLLER | Fix it before it breaks | Thu Apr 16 1992 18:09 | 5 |
45.8 | reality is a crutch? | GUESS::WARNER | It's only work if they make you do it | Thu Apr 16 1992 19:06 | 2 |
45.9 | | SALSA::MOELLER | Open IAS Development | Thu Apr 16 1992 23:57 | 9 |
45.10 | My Day In The Studio, by Alan Starr | DPE::STARR | Red Wine and Whiskey | Mon Apr 20 1992 15:21 | 338 |
45.11 | 7/8 pickup pattern for a 4/4 tune | SALSA::MOELLER | Carpe Diem :== Fishing with God | Wed Apr 22 1992 18:15 | 18 |
45.12 | Time shift | KADOR::REVERB::HANNA | What a wonderful world :^) | Thu Apr 23 1992 07:18 | 40 |
45.13 | | AOSG::GILLETT | Petition candidate for DCU BoD | Thu Apr 23 1992 11:58 | 6 |
45.14 | | SALSA::MOELLER | Carpe Diem :== Fishing with God | Thu Apr 23 1992 13:19 | 33 |
45.15 | percussion polyphony maximation methodology | SALSA::MOELLER | Do French dogs really say 'wooah'? | Tue May 19 1992 20:05 | 15 |
45.16 | event chasing | SALSA::MOELLER | There are No More New Notes | Wed May 27 1992 14:52 | 19 |
45.17 | "Feel Factor" revisited | SALSA::MOELLER | SaRiGa MaPaDhaNi | Mon Jun 08 1992 16:22 | 37 |
45.18 | | INDUCE::SHERMAN | ECADSR::Sherman DTN 223-3326 | Mon Jun 08 1992 16:33 | 8 |
45.19 | Righto | TALK::HARRIMAN | Not bad, as far as nightmares go | Tue Jun 09 1992 14:17 | 9 |
45.20 | | PAULUS::BAUER | Richard - ISE L10N Center Frankfurt | Thu Jun 11 1992 07:08 | 19 |
45.21 | time-aligned rhythm sections | SALSA::MOELLER | We Listened. MIPS-OSF/1 Classic. | Thu Jun 11 1992 13:00 | 10 |
45.22 | doubling up with SMPTE | SALSA::MOELLER | UN*X - vwl cnsmr, mnd bndr | Mon Jun 29 1992 12:04 | 18 |
45.23 | | SALSA::MOELLER | UN*X - vwl cnsmr, mnd bndr | Mon Jun 29 1992 12:06 | 7 |
45.24 | | SALSA::MOELLER | Why not name earthquakes ? | Wed Aug 26 1992 12:53 | 15 |
45.25 | from low-touch to high-touch MIDI mixing | SALSA::MOELLER | Why not name earthquakes ? | Thu Aug 27 1992 14:11 | 53 |
45.26 | KAWAI device ?!?!?!? | PAULUS::BAUER | Richard - ISE L10N Center Frankfurt | Fri Aug 28 1992 04:42 | 21 |
45.27 | | SALSA::MOELLER | Republicans '92: Just say Noe | Fri Aug 28 1992 14:09 | 7 |
45.28 | Kawai slider box. Just sold mine off. | RANGER::EIRIKUR | | Mon Aug 31 1992 15:21 | 11 |
45.29 | due to lack of interest, ... | SALSA::MOELLER | Child crushed by logic,film at 11. | Mon Aug 31 1992 16:40 | 10 |
45.30 | some more details for MM16 | PAULUS::BAUER | Richard - ISE L10N Center Frankfurt | Tue Sep 01 1992 07:21 | 30 |
45.31 | MM-16 | RANGER::EIRIKUR | | Tue Sep 01 1992 12:21 | 8 |
45.32 | | SALSA::MOELLER | Child crushed by logic,film at 11. | Thu Sep 03 1992 16:24 | 5 |
45.33 | chasing pedals with your feet ? | SALSA::MOELLER | Beware Creeping Elegance | Fri Oct 16 1992 12:54 | 30 |
45.34 | | MANTHN::EDD | Math is hard! | Fri Oct 16 1992 13:16 | 6 |
45.35 | A Wall and an Object | AUSSIE::SULLIVAN | sw still runs on hw | Fri Oct 16 1992 19:20 | 31 |
45.36 | Instant Soft[ware Drum] Machine | SALSA::MOELLER | SNMP Agent to the Stars | Thu Dec 10 1992 12:35 | 15 |
45.37 | | SALSA::MOELLER | SNMP Agent to the Stars | Thu Dec 10 1992 20:05 | 39 |
45.38 | | SALSA::MOELLER | SNMP Agent to the Stars | Fri Jan 08 1993 16:51 | 37 |
45.39 | fyi ... 3D animation and music ... | NETCAD::SHERMAN | Steve NETCAD::Sherman DTN 226-6992, LKG2-A/R05 pole AA2 | Wed Oct 05 1994 08:25 | 122
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