|  | 	In case anyone's interested, I found a place that carries them.  It's
called Center Stage Music on Moody Street in Waltham.  Real small place, but
they'll order the Hip Shot and install it on most basses for $50 or so.  
	It requires no modifications to the instrument at all, although in some
cases a direct match of the tuning key may be a problem if you have a highly
stylized instrument.  
	Seems to be a real neat device.  I tried out a Fender J-bass with one 
and it kept tune perfectly.  If your nut snags a little bit, you need to pull
the string, but you could easily change tuning in a song without a problem.
	I'd hoped that you could set different stops so that you could tune
to any semi-tone interval down to low C, but you can only set it for one
interval.  Probably not that big of a problem.
 | 
|  |     An analog to the Hip Shot bass 'widget' is the 'B-bender'.  Used
    on the B string of a guitar (typically), the bender allows the player
    to raise or lower (either/or...not both) the string a whole tone
    by pushing the guitar down against the front strap mount.  Through
    a series of levers, the strap button movement (about 1/2 inch, I
    think) is translated into moving the string ball retainer in the
    appropriate direction.  These units are EXPENSIVE...like $140 plus
    your guitar gets severely modified.  Does anyone out there know
    of a local outfit thast does this mod?  I've only seen one place
    in LA that does it.
    
    Other guitar widgets:
    
    	o Bigsby "Palm Pedals" - Like tiny whammy bars (two of 'em)
                                 typically attached to the B and E strings
    
        o B-Bender, rev. 2.0   - Ultimately provides the same function
                                 the B-Bender ref'd above, but works
                                 via a lever that extends over the 'tail'
                                 of the guitar; you press it against
                                 your hip.
    
    As a pedal steel player, it drives me crazy not to be able to get
    the same bends on the guitar.  I've seen Albert Lee use a B-Bender
    (rev. 1.0) and it was hot!  Graham Parsons had one, but I never
    saw him play it live.
    
    Any other little goodies out there that I can fantasize about?
    
    Regards,
    Johnny Jupiter
    
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