| T.R | Title | User | Personal Name
 | Date | Lines | 
|---|
| 537.1 | ???? | VAXWRK::STHILAIRE | gee, I don't know what to say | Mon May 02 1994 15:23 | 4 | 
|  |     Who is Glenn Gould?
    
    Lorna
    
 | 
| 537.2 | in a nutshell | 11770::WOOLNER | Your dinner is in the supermarket | Mon May 02 1994 16:04 | 9 | 
|  |     (It's who _was_ [the late] Glen Gould.)
    
    Composer and pianist extraordinaire.  He got so "into" it while playing
    that on his recordings you can hear him muttering along with it...
    
    I really want to see this movie.  FWIW, Siskel and Ebert both raved
    about it.
    
    Leslie
 | 
| 537.3 |  | 29052::WSA038::SATTERFIELD | Close enough for jazz. | Mon May 02 1994 18:18 | 11 | 
|  | 
re .1
Especially well known for his interpretations of Bach's keyboard works. His
Goldberg Variations have come to be a standard against which other recordings
are measured. Not everyone cares for Gould though, his humming can be pretty
distracting.
Randy
 | 
| 537.4 |  | 7361::RUZICH | Realtime Software Engineering | Tue May 03 1994 12:22 | 7 | 
|  |     Gould also did one film score - with Bach keyboard music (no surprise).
    
    It's been a long time, so I could be wrong, but I think it was
    Slaughterhouse Five, from Kurt Vonnegut's book.  The music seemed very
    appropriate for the film.
    
    -Steve
 | 
| 537.5 | One other... | 26523::BRANDENBERG |  | Tue May 03 1994 17:28 | 9 | 
|  |     
>    It's been a long time, so I could be wrong, but I think it was
>    Slaughterhouse Five, from Kurt Vonnegut's book.  The music seemed very
>    appropriate for the film.
I believe that's correct but his version of the 25th Goldberg variation
is also used in The Terminal Man.  Very nice.
monty
 | 
| 537.6 | See it. | NAC::DAVIDO::ofsevit | card-carrying member | Mon Jun 27 1994 15:27 | 13 | 
|  | I got to see this film over the weekend.  It got nearly a full house at the 
West Newton (MA) Cinema, definitely not the usual multiplex-bubblegum 
crowd.
It's been a long time since I saw such a true art film as this, mixing all 
kinds of styles in black and white.  The actor who plays Gould (I didn't 
get the name, not a household name) is excellent.  The "Gould interviews 
Gould" segment was phenomenal.  As one of the reviews (Time or Newsweek) 
pointed out, it took a lot of guts to make a film about one of the most 
famous and controversial pianists of our time and never show him sit down 
to play.
		David
 | 
| 537.7 |  | DSSDEV::RUST |  | Wed Jul 13 1994 09:20 | 13 | 
|  |     Very enjoyable film (although the theater wasn't air conditioned, so
    the frozen-north scenes were incredibly poignant, as sweaty movie-goers
    gazed pitifully at the unreachable cool on the screen!). The actor's
    name is Colm Feore, and he's primarily been a stage actor; some friends
    of mine said they saw him play a wonderful (and very athletic) Pirate
    King in "Pirates of Penzance," and then later the same day, play Cyrano
    de Bergerac...
    
    This role was much more restrained, of course, but I found the
    portrayal delightful; seemed to sum up the "quirky genius" in as few
    brushstrokes as possible. 
    
    -b
 | 
| 537.8 |  | NETRIX::michaud | Bach | Mon Mar 06 1995 14:02 | 10 | 
|  | 	Well this is out on video now and I rented it last night.
	While the format of the film was interesting and creative,
	not knowing who Glenn Gould was beforehand, and not being
	a major fan of classical music, I didn't get much out of it.
	I now know who Glen Gould was, and a little bit about him,
	but "little" is the key word.  Probably a must-see however if
	you are a Glenn Gould fan ........
ps: the current title on this topic is "32 short films on glenn gould".
    the correct title is "32 Short Films About Glenn Gould" (ie. about, not on)
 |